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“A controversial figure in real life, the Eva Peron portrayed in Evita is not particularly likeable, but certainly she appears as a fascinating force of nature.”

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“Bursting with both big names and fresh talent, Calling Me Home has so much promise and there is so much to be proud of.”

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It’s at once charming and chilling, with physical theatre so subtly incorporated that, by the end, you feel like the human condition is light on its feet.

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The attraction is very much aimed at adults, and to be honest, you’ll probably have more fun without you preteens. Nevertheless, you’ll be pleased to hear that there is nothing frightening or unpleasant in the room.

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“Unfortunately, some of Splash’s key performers were absent due to visa issues, so the show as seen was not the complete magical watery wonderland that had been promised.”

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The gallery itself is a pleasant and unintimidating space. It’s small enough to be intimate and yet large enough to showcase a satisfying variety of works. With exhibitions regularly changing, roughly every four weeks, it warrants return visits.

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The play’s biggest challenge is that it’s difficult to find emotional connectivity with these half-baked characters. The acting, too, is never commanding.

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“Director Fred Abrahamse sticks to some conventions – males play female characters, and the original style and tone is retained – while managing to wrap it in a blanket of originality.”

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Have you ever driven along Witkoppen Road in Fourways and seen the large black crane-like structure by Pineslopes shopping centre? It’s not a crane. It’s far more exciting than that.

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“The end result is not only an immaculately staged piece of theatre, but also a tribute to South Africa’s performance arts legacy.”

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The real drama for the audience is in the dancing and is particularly evident in the final pas de deux between Principal dancers Jonathan Rodrigues as the Prince and Burnise Silvius as Cinderella.

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Way ahead of her time, our female protagonist is feisty, funny and eternally optimistic, a great role model for girls everywhere. The cast, crew and entire team present a delightful, colourful and upbeat spectacle.

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But the feeling that ultimately takes over is one of amazement and wonder. To think that it takes 1500 hours to prepare a specimen and that each specimen was once a living human being is mind-blowing.

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“The band’s lead singer Dan Smith is a formidable presence who animates the performance with a vocal showmanship that is fitting of the international sensation the band has become.”

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Dwayne Combrinck is a man with demons. You can see this as he walks into his workshop, a bloodied baseball bat in hand. You can see this in the anger he articulates and the acerbic vitriol he spews when provoked.

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“The international and local creative teams behind this project have produced something uniquely beautiful and majestic in its visual glossolalia and kaleidoscope of sexual jokes and nuance.”

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