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“A controversial figure in real life, the Eva Peron portrayed in Evita is not particularly likeable, but certainly she appears as a fascinating force of nature.”

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“Bursting with both big names and fresh talent, Calling Me Home has so much promise and there is so much to be proud of.”

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The whole show is incredibly sharp and barbed, but what makes it more special is how Van Graan and director Rob van Vuuren vary the pace, mood and emotions so magnificently.

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“Being somewhat ‘tequila-phobic’, I was apprehensive to try Sierra’s Tequila range. But Sierra Spiced Tequila instantly impressed me with its layering of orange and cinnamon notes.”

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It’s at once charming and chilling, with physical theatre so subtly incorporated that, by the end, you feel like the human condition is light on its feet.

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It’s rich with life and fraught with texture. It’s not only about gritty New York values, and a self-conscious use of 1950s slang and dance sequences. It’s something that is lifted to the level of the timeless universal.

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“Unfortunately, some of Splash’s key performers were absent due to visa issues, so the show as seen was not the complete magical watery wonderland that had been promised.”

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Bouncing may famously be what Tiggers do best, but Jo’burgers can now jump for joy and give Tigger a run for his money, because Australian trampoline sensation Bounce has landed in Jozi.

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The gallery itself is a pleasant and unintimidating space. It’s small enough to be intimate and yet large enough to showcase a satisfying variety of works. With exhibitions regularly changing, roughly every four weeks, it warrants return visits.

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“Director Fred Abrahamse sticks to some conventions – males play female characters, and the original style and tone is retained – while managing to wrap it in a blanket of originality.”

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Whether you’re sold on hypnotism or a complete sceptic, it doesn’t actually matter. You’ll either love the show believing everything you see, or you’ll be completely fascinated as you doubt or try to work out what’s going on.

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“The end result is not only an immaculately staged piece of theatre, but also a tribute to South Africa’s performance arts legacy.”

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As a piece of theatre it is visually stunning. The physicality of the clowns is a studied art, and in a miraculous trompe d’oeil they will grow or shrink, grow older or younger in front of your very eyes.

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The real drama for the audience is in the dancing and is particularly evident in the final pas de deux between Principal dancers Jonathan Rodrigues as the Prince and Burnise Silvius as Cinderella.

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World of Beer is clearly an established and slick operation. It’s a sensory experience where not only do you get to taste the beer, but to see, smell, touch and hear all things involved in the process and history of brewing.

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It is a place steeped in history, with a fair share of mystery and intrigue thrown in. As an embodiment of apartheid resistance and the liberation movement which helped to shape the new South Africa, it is not only a historical site but, with its heritage status and a clutch of awards, it is arguably the best museum in Johannesburg.

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“The band’s lead singer Dan Smith is a formidable presence who animates the performance with a vocal showmanship that is fitting of the international sensation the band has become.”

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