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World of Beer is clearly an established and slick operation. It’s a sensory experience where not only do you get to taste the beer, but to see, smell, touch and hear all things involved in the process and history of brewing.

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As a piece of theatre it is visually stunning. The physicality of the clowns is a studied art, and in a miraculous trompe d’oeil they will grow or shrink, grow older or younger in front of your very eyes.

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It is a place steeped in history, with a fair share of mystery and intrigue thrown in. As an embodiment of apartheid resistance and the liberation movement which helped to shape the new South Africa, it is not only a historical site but, with its heritage status and a clutch of awards, it is arguably the best museum in Johannesburg.

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No artistic ability is required. The idea is to have fun and perhaps a few drinks while you bring out your inner Monet and/or your inner child (a selection of brushes is provided, but finger painting is entirely acceptable).

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The play’s biggest challenge is that it’s difficult to find emotional connectivity with these half-baked characters. The acting, too, is never commanding.

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It’s not everyday that one gets to be suspended in the air without the sinking feeling of free-falling, but rather the elation of soaring. What is particularly appealing about this zip slide compared to others is that you lie on your stomach in a canvas bag of sorts instead of sitting in a harness.

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Way ahead of her time, our female protagonist is feisty, funny and eternally optimistic, a great role model for girls everywhere. The cast, crew and entire team present a delightful, colourful and upbeat spectacle.

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The attraction is very much aimed at adults, and to be honest, you’ll probably have more fun without you preteens. Nevertheless, you’ll be pleased to hear that there is nothing frightening or unpleasant in the room.

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Have you ever driven along Witkoppen Road in Fourways and seen the large black crane-like structure by Pineslopes shopping centre? It’s not a crane. It’s far more exciting than that.

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On many levels, it’s an ideal end of year family show, bringing together all the issues of responsibility and wildness, dreams and possibility, exploration and history and the exploitation of Hollywood into one story.

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But the feeling that ultimately takes over is one of amazement and wonder. To think that it takes 1500 hours to prepare a specimen and that each specimen was once a living human being is mind-blowing.

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After 10 months, more than 1000 voices and 200 choirs from five countries, the 39th Old Mutual National Choir Festival reached its crescendo this past weekend at the Ellis Park Indoor Arena in Johannesburg.

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You will not regret taking up the invitation to attend this exuberant and, at times, poignant, Greek wedding with all its traditional – and not so traditional – features.

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It’s rich with life and fraught with texture. It’s not only about gritty New York values, and a self-conscious use of 1950s slang and dance sequences. It’s something that is lifted to the level of the timeless universal.

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Each scene is visually impressive, making a grand, almost Old Master painting of colour and design. The poised opening of the Capulet ball with its rich reds is sumptuous, while the stark lights fading into the cowled figures and lit candles in the Capulet crypt send shivers down the spine.

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Whether you’re sold on hypnotism or a complete sceptic, it doesn’t actually matter. You’ll either love the show believing everything you see, or you’ll be completely fascinated as you doubt or try to work out what’s going on.

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