0

“A controversial figure in real life, the Eva Peron portrayed in Evita is not particularly likeable, but certainly she appears as a fascinating force of nature.”

More
0

“Bursting with both big names and fresh talent, Calling Me Home has so much promise and there is so much to be proud of.”

More
0

It’s at once charming and chilling, with physical theatre so subtly incorporated that, by the end, you feel like the human condition is light on its feet.

More
1

“Unfortunately, some of Splash’s key performers were absent due to visa issues, so the show as seen was not the complete magical watery wonderland that had been promised.”

More
0

The gallery itself is a pleasant and unintimidating space. It’s small enough to be intimate and yet large enough to showcase a satisfying variety of works. With exhibitions regularly changing, roughly every four weeks, it warrants return visits.

More
0

“Director Fred Abrahamse sticks to some conventions – males play female characters, and the original style and tone is retained – while managing to wrap it in a blanket of originality.”

More
0

“The end result is not only an immaculately staged piece of theatre, but also a tribute to South Africa’s performance arts legacy.”

More
1

The real drama for the audience is in the dancing and is particularly evident in the final pas de deux between Principal dancers Jonathan Rodrigues as the Prince and Burnise Silvius as Cinderella.

More
0

“The band’s lead singer Dan Smith is a formidable presence who animates the performance with a vocal showmanship that is fitting of the international sensation the band has become.”

More
0

Dwayne Combrinck is a man with demons. You can see this as he walks into his workshop, a bloodied baseball bat in hand. You can see this in the anger he articulates and the acerbic vitriol he spews when provoked.

More
0

“The international and local creative teams behind this project have produced something uniquely beautiful and majestic in its visual glossolalia and kaleidoscope of sexual jokes and nuance.”

More
0

“The Exhibition On Screen at Rosebank Mall Cinema Nouveau takes us on a tour of over 200 paintings, drawings and prints by Canaletto and some of his 18th Century counterparts.”

More
0

“An outstanding voice of the night was long blond haired Capetonian Richard Skirton who blew everybody away with his vocal prowess on Paul Simon’s ‘Sound of Silence’ and the iconic ‘Bohemian Rhapsody’.”

More
0

“It’s almost impossible to believe that the elegant ballerinas of the opening and closing scenes are also the chubby, silly, slapstick Forest People.”

More
0

With the focus on the fragile and ever-changing relationships between the protagonists, Van Graan illuminates those moments where change is possible – when the chance to act humanely flickers momentarily.

More
0

“By the end of this piece, it feels as though you’ve been privy to something that is both too ghastly and too private for it to be staged in a theatre.”

More
0

The writing is palpably beautiful and you want to hold and savour each turn of phrase, but it is the potency of Sello Maake kaNcube’s performance that makes it sing as a theatre piece, with all the requisite dignity and vulnerability that holds it together.

More