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“The team behind this production have used extreme creativity to tell the entire tale with only two people on stage. And therein lies its charm.”

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World of Beer is clearly an established and slick operation. It’s a sensory experience where not only do you get to taste the beer, but to see, smell, touch and hear all things involved in the process and history of brewing.

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This tender and quivering yet seemingly bruised body of close to 40 works, is collectively about quirky humour, dark laughter and the slithery teasing apart of mythical practices, fairytales and idioms.

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Bouncing may famously be what Tiggers do best, but Jo’burgers can now jump for joy and give Tigger a run for his money, because Australian trampoline sensation Bounce has landed in Jozi.

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“Bursting with both big names and fresh talent, Calling Me Home has so much promise and there is so much to be proud of.”

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On many levels, it’s an ideal end of year family show, bringing together all the issues of responsibility and wildness, dreams and possibility, exploration and history and the exploitation of Hollywood into one story.

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“Being somewhat ‘tequila-phobic’, I was apprehensive to try Sierra’s Tequila range. But Sierra Spiced Tequila instantly impressed me with its layering of orange and cinnamon notes.”

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It is a place steeped in history, with a fair share of mystery and intrigue thrown in. As an embodiment of apartheid resistance and the liberation movement which helped to shape the new South Africa, it is not only a historical site but, with its heritage status and a clutch of awards, it is arguably the best museum in Johannesburg.

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It’s at once charming and chilling, with physical theatre so subtly incorporated that, by the end, you feel like the human condition is light on its feet.

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‘Tell Me What You Want Me To Do’ simply silenced the audience. The control and range, and the depth and bare soul with which he delivered it was breathtakingly beautiful.

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“Unfortunately, some of Splash’s key performers were absent due to visa issues, so the show as seen was not the complete magical watery wonderland that had been promised.”

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After 10 months, more than 1000 voices and 200 choirs from five countries, the 39th Old Mutual National Choir Festival reached its crescendo this past weekend at the Ellis Park Indoor Arena in Johannesburg.

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“Director Fred Abrahamse sticks to some conventions – males play female characters, and the original style and tone is retained – while managing to wrap it in a blanket of originality.”

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As a piece of theatre it is visually stunning. The physicality of the clowns is a studied art, and in a miraculous trompe d’oeil they will grow or shrink, grow older or younger in front of your very eyes.

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“The end result is not only an immaculately staged piece of theatre, but also a tribute to South Africa’s performance arts legacy.”

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“Reviewing a Pieter Dirk Uys-performance nowadays (especially for his fans) is like critiquing an annual Saturday evening dinner party at your best friends’ place.”

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