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“Be warned: you will be lost in your own laughter way before the plot grabs you by its own tale. It’s a convoluted one, but it doesn’t matter. The work is so crisply constructed…”

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“Insisting on playing all their instruments in real-time – in an era when most international bands are supremely reliant on computers and pre-programmed sequencing – ensured an impactful set.”

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A simple tale about bullying and friendship which is told with a deft directness, a sparkly sense of self and a true spirit of collaboration, enabling everyone on the creative team to give of their very best.

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‘Tell Me What You Want Me To Do’ simply silenced the audience. The control and range, and the depth and bare soul with which he delivered it was breathtakingly beautiful.

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“A cursory understanding of Judaism and the general political backdrop of the 1950s is helpful to truly appreciate this piece of theatre and catch the inside jokes.”

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It’s not everyday that one gets to be suspended in the air without the sinking feeling of free-falling, but rather the elation of soaring. What is particularly appealing about this zip slide compared to others is that you lie on your stomach in a canvas bag of sorts instead of sitting in a harness.

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“Expect send-ups of famous musicians, parodies, glittery zebra wellies, awesome piano playing, and even a cheeky bit of nudity.”

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The amateur thespians are played by a cast of professional actors, although you could count the uncooperative, malfunctioning stage as a ninth cast member.

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“Beautiful dancers stream onto the stage, legs flailing about in synchronicity, and we are hurled – mouths agape – into an Irish fairyland.”

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The attraction is very much aimed at adults, and to be honest, you’ll probably have more fun without you preteens. Nevertheless, you’ll be pleased to hear that there is nothing frightening or unpleasant in the room.

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“Sugar and spice and with a touch of vice, that’s what regular fairy tales are made of. Add aerial flights and daredevils on ice, that’s what Cinderella on Ice is made of.”

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The director and writer look at the clash of cultures, but also how these different cultures can live together in harmony – a kind of blueprint for which was to follow many decades later.

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The play’s biggest challenge is that it’s difficult to find emotional connectivity with these half-baked characters. The acting, too, is never commanding.

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“At one end of the dining room, a small staging area has been set aside for more displays of ghostly mystery performances in between each course.”

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Have you ever driven along Witkoppen Road in Fourways and seen the large black crane-like structure by Pineslopes shopping centre? It’s not a crane. It’s far more exciting than that.

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“The team behind this production have used extreme creativity to tell the entire tale with only two people on stage. And therein lies its charm.”

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This tender and quivering yet seemingly bruised body of close to 40 works, is collectively about quirky humour, dark laughter and the slithery teasing apart of mythical practices, fairytales and idioms.

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Way ahead of her time, our female protagonist is feisty, funny and eternally optimistic, a great role model for girls everywhere. The cast, crew and entire team present a delightful, colourful and upbeat spectacle.

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